Social media design at the volume your feed actually needs
RX builds the templates, the system and the monthly output that keep brands in Egypt and MENA posting consistently — on brand, in Arabic and English, without the quality sliding by week three.
The first week looks great.
Week four looks like a different company.
A feed needs thirty to forty pieces a month, in two languages, across three platform formats. Treated as a series of one-off jobs, social media design cannot keep up with that. It is a throughput problem, not a creative one.
The Brand Drifts
Different people made different posts in different tools. Six months on, the colors do not match, three fonts are in play, and nobody can tell your grid from a competitor's.
Arabic Gets Squeezed In
The layout was designed around an English headline. The Arabic version arrives longer, breaks the line, overflows the frame, and gets shipped anyway because the post is due.
Every Post Starts From Zero
With no templates, a routine announcement takes as long as a campaign. So the calendar slips, posting goes quiet, and the algorithm notices before your audience does.
The system first.
Then the output it makes possible.
Numbers that
speak for themselves
What clients see after an RX social media design engagement.
Karma Home
A homeware retailer producing posts one at a time in three different tools, with an Arabic version that overflowed every frame. We built a bilingual template system first, then ran the monthly batch against it.
How to get social media design that scales without going bland
Design the template before you design the post
A good template set is not a constraint, it is what makes volume possible. Define the grid, the type scale, the color roles and the image treatment once, and a monthly batch becomes assembly rather than invention. It also makes the brand recognizable at thumbnail size — which is the only size that matters, because nobody is studying your post, they are scrolling past it. This is the difference between social media design that holds up over a year and a folder of unrelated graphics.
Set Arabic type properly, or do not set it at all
Arabic is the harder half of the job and almost every template fails it. Arabic text runs longer than English at the same message length, so a frame that fits one will break the other. Line breaking, letterform connections and mixed-direction numerals in prices and dates all need handling deliberately. With around 60% of Arabic speakers preferring content in Arabic, a bilingual template that only really works in English is a template that only really works for part of your market.
Design for where the audience actually is
Egypt's platform mix is not the global one. Facebook reaches 63.3 million people here and Messenger 57.2 million, well ahead of Instagram's 23.9 million — while TikTok's reach now equals 49.7% of the country's internet users. Each wants different dimensions, different text density and different pacing. Creative social media design for this market means starting from that mix rather than defaulting to a square Instagram grid and cropping outward.
See what your feed looks like to someone scrolling past it
Send us your handles. We will come back with an honest read on brand consistency, what is failing in Arabic, and what a realistic monthly output looks like for you.
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Common Questions Answered
For most brands running two or three platforms, twenty to forty social media design assets a month keeps the feed alive without exhausting the audience. The right number depends on how many channels you run and whether paid creative is included. We size the batch to your calendar rather than selling a fixed package.
Yes, and it is designed rather than translated. Arabic templates are built as their own layouts with proper type setting, because Arabic runs longer and breaks differently than English at the same message length.
Yes. If guidelines exist we build the template system from them. If they do not, or they stop at a logo, we will flag that first — social media design without a defined type scale and color system drifts within months.
Once the template system is in place, a monthly batch typically turns around in five to seven working days including one revision round. Urgent single posts are faster. The system is what makes that speed possible.
Yes, and we design it in variants. A single ad creative gives the media buyer nothing to test against, so campaign work ships as multiple versions of the same offer.
Yes — the source files and the templates. If you bring the work in-house later, your team can keep producing from the same system without starting again.
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